“Life teaches you how to live, if you live long enough,” said jazz great Tony Bennett at the end of the documentary ‘Amy’ (2015) by Asif Kapadia. It’s a quote that still nadreunt a while. What if Amy Winehouse (1983-2011), because the film is about her, indeed had listened to her then manager Nick Shymansky already asked her to kick the habit at an early stage? Then it was her hit album ‘Back to Black’ might never have been there in 2006, but she might have been alive now and other beautiful things can make. Though it is quite clear in the whole archive footage composite documentary – of the man who a few years earlier also impressed with a film about another died young hero, Formula 1 driver Ayrton Senna – that Amy had a destructive personality. The film opens with a home video of a very young Amy, on the fourteenth anniversary of her friend Lauren Gilbert particularly mature manner ‘Happy Birthday’ singing. Here she looks and sounds so much older than she is and that has always been one of the major assets in her music: the rawness and purity of it. Where peers behaved opzingen their lyrics, Amy is experiencing the real. No wonder they are at a young age very personal and poignant lyrics knows how to write.Once i am gonig to watch movie and i will be very happy to see that movie in hd quality movies download.
In the documentary ‘Amy’ we see how the British singer of Jewish origin of aspiring jazz singer grows into a world star. A rough diamond she would always remain, and an unguided missile actually. Amy refused to be pigeon-holed; if you compare her with other artists they took you certainly not thank down. Or it had to be compared with her great classic jazz heroes, Bennett, Ella Fitzgerald, Billie Holiday, though she felt that too much honor once again. On the basis of archive footage, television and radio interviews and private videos directed by Asif Kapadia we be throughout her life. The documentaries usual talking heads have been replaced by tapes, in which image will be placed who is speaking and what his or her role in Amy’s life. After her debut album ‘Frank’ in 2003, her fame grew steadily, but as her success grew, also grew her personal problems. Amy did, however, more and more surround yourself with people trying to make money off her. Manager Szymansky, which she already knew since she was sixteen, was exchanged for a more commercially oriented type and the pressure to perform was increasing. Completely after she released in 2006 ‘Back to Black’. An album that brought her great fame and worldwide recognition, but also marked the beginning of its irreversible demise.
In the documentary ‘Amy’ we see how the British singer of Jewish origin of aspiring jazz singer grows into a world star. A rough diamond she would always remain, and an unguided missile actually. Amy refused to be pigeon-holed; if you compare her with other artists they took you certainly not thank down. Or it had to be compared with her great classic jazz heroes, Bennett, Ella Fitzgerald, Billie Holiday, though she felt that too much honor once again. On the basis of archive footage, television and radio interviews and private videos directed by Asif Kapadia we be throughout her life. The documentaries usual talking heads have been replaced by tapes, in which image will be placed who is speaking and what his or her role in Amy’s life. After her debut album ‘Frank’ in 2003, her fame grew steadily, but as her success grew, also grew her personal problems. Amy did, however, more and more surround yourself with people trying to make money off her. Manager Szymansky, which she already knew since she was sixteen, was exchanged for a more commercially oriented type and the pressure to perform was increasing. Completely after she released in 2006 ‘Back to Black’. An album that brought her great fame and worldwide recognition, but also marked the beginning of its irreversible demise.
Plates bosses clamoring for new material, tour managers plan her schedule full, press hounds chasing after her as hunted and father Mitch – mother Janis is remarkably little attention because her daughter since her early teenage years’ not aankon’- rather turn a salad out the successes of his daughter than he helps her her problems to master.
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